Sunday, 2 May 2021

The African warrior Queen Muhumuza that fought colonialism

 The African resistance against colonial rule in East Africa was a common theme in the 20th century leading up to independence with many African societies seeking to free themselves from its yoke. At the beginning of the 20th century, a movement ensued against colonialism in Southwestern Ugandan, northern Rwanda and northern Tanzania. Its leader, a Ugandan warrior Queen named Muhumuza who had been the wife of King Kigeli IV Rwabugiri until his demise in 1895. The movement came to be known as the Nyabingi movement or cult. 



The Nyabingi cult predates Queen Muhumuza. It was one of the several prominent religions in the Kigezi district of Uganda during pre-colonial Africa. Although there are different oral traditions about the origins of this Nyabingi deity, it is widely accepted that Nyabingi was the spirit of a legendary Rwandan/Ugandan/Tanzanianian woman whose name is reported to mean “the one who possesses many things”. 

She was thought to be a powerful force in everyday life and it was connected to fertility, health, production of farm yields. From her doctrine of action, militancy, and courage, Nyabingi also came to be known as Rutatiina-Mireego – one who never fears bows and arrows. The cult gained popularity because of its spiritual and temporal ideals. The Nyabingi cult had long been used as an ideology of resistance long before colonialism. Rwandan kings resented this deity because of its anti-monarchical underpinnings. 

It was popular among the Kiga people who resisted King Rwabugiri IV expansionist policies. In social conflicts, the Nyabingi religion was a religion of the oppressed and provided a foundation for solidarity, courage, and action against the oppressors.  

Queen Muhumuza and the Nyabingi resistance movement

Muhumuza is now regarded as one of the most formidable warrior Queens in African History. However, before she led the Nyabingi movement, she had been one of the king’s wives at the Rwandan royal court. Following the death of King Rwabugiri in 1895, she was left widowed and a succession battle ensued after Rwabugiri’s favourite wife, Kanjora overthrew the chosen successor Rutarindwa, and enthroned her son, Musinga. Muhumuza fled north to Mpororo with her son Biregeya to escape the massacre. While in the north, she adopted the Nyabingi and became a popular umugirwa or medium of Nyabingi.  

By claiming spiritual authority through Nyabingi, Muhumuza was able to rally the Abakiga people of Southern Uganda behind her to challenge Musinga’s claim to the throne. In response, Musinga asked the German colonisers to help defeat the Muhumuza Movement. However, not all Bakiga paid homage to her for example Basigi of Kagarama had no sympathy for any Rwandan aristocrats given their history that had been characterised by Rwabugiri’s raids. They enlisted the support of the British against her. As a result, Muhumuza’s Nyabingi movement grew into an anti-colonial campaign against monarchical collaborators and colonialists. The German and British forces became aware of the increasing danger of her influence within the region.

Emin Pasha described Muhumuza as ‘Queen Nyabingi’ who governed the pastoralist state of Mpororo. That she communicated with her subjects through a screen of bark cloth and such was her mystique that she had ‘never been seen by anyone, not even by her own subjects’. In Mpororo, as in ancient Kingdoms of Ankole and Karagwe, she was said to be ‘capable of bewitching people and also benefitting them.’ Kiga highlanders found her to be a compelling figure.  

It is claimed that Muhumuza instructed her followers to search for a sacred drum, Karinga, a symbol of Rwandan royal power and that upon finding it, her son Biregeya would become King and all her followers would receive cows from underground. She also predicted that her followers would be invulnerable and that bullets would turn to water, a common motif of rebel propaganda. Muhumuza had six men in her retinue who carried her shoulder-high, on a palanquin whenever she wished to travel. Many believed her to be the reincarnation of Nyabingi, the legendary female spirit. Such was her influence that at the height of her powers, there were some 3,000 people living around her fortified home in Southern Kigezi. Her granaries bulged with produce, and there were great quantities of dried meat in her larders.  

Muhumuza became increasingly hostile towards European colonialists who were manipulating Musinga to enforce themselves in the region. While she had little love for Europeans she never attacked them directly, preferring to focus on chiefs loyal to them. This led to an influx of refugees to Ikumba, the headquarters of colonial administration seeking protection. Muhumuza was arrested and jailed at Bukoba in 1908 by German and collaborating Rwandan forces for her continued aggression against the colonial powers.  

She escaped from Bukoba in 1911 and returned to Uganda but found the political situation had changed as European-led forces were now established. She later proclaimed herself as Queen of Ndorwa, present-day Kigezi. She spearheaded another anti-colonial uprising and declared that she would drive out German and British colonialists who had embarked on setting boundaries between British and German territories within the region.  

The British and German forces set out on a joint mission to capture her. A surprise colonial attack under Capt. Reid, who commanded a contingent of King’s African Rifles and local levies, led to a six-hour battle and her defeat. About 40 of her Bakiga allies were killed. She was captured lightly wounded in the foot and exiled to Kampala. Unlike other rebel leaders who were interned for shorter periods, the English were afraid to let her leave Kampala and return to Kigezi. Such was the reputation of her power. The Western Provincial Commissioner earlier wrote in 1920: 

 “it would be a grave mistake to allow her to return to Kigezi for I am confident that she would, in a very short time, be the cause of serious trouble… the cost of suppressing a native outbreak in Rukiga, which Muhumuza would be quite capable of causing about the middle of the next beer drinking season might be very considerable, not only in money but in lives” 

A sympathetic account of her by Bessel, a colonial cadet officer who served in Kigezi as a civil servant, who met and interviewed her for an article on Nyabingi in 1938 stated: 

“An extraordinary woman… fighting for a just cause with very little more than necessary violence, she deserved to attain her objective and certainly would have but for European intervention”  

Queen Muhumuza and the Nyabingi movement had a lasting legacy within the region and beyond. Her arrest and exile to Kampala led to the enactment of the Colonial Witch Craft Ordinance of 1912 which outlawed practicing “non-orthodox” beliefs such as Nyabingi. She inspired the Nyabinghi underpinnings of Rastafarianism because of her fight against colonialism. As one of the pioneers of the African struggle against colonialism, Queen Muhumuza deserves recognition among the pantheon of great African leaders given that during her time, it was unheard of for a woman of her charismatic character to fight against colonialists. Despite her arrest, the Nyabingi movement continued until 1930 when the Great East African Revival took root within the region and established Christianity. The British colonialists had realized the futility of using purely military means against Nyabingi. Such is her lasting influence that Queen Muhumuza should continue to be remembered in the annals of African history. 

Chadwick Boseman's Wakanda legacy to Africa


 The 2018 movie Black Panther gained worldwide acclaim and won three academy awards the year following its release, the first Oscars for Marvel studios. The movie that stars the deceased actor, Chadwick Boseman has become a cultural watershed in popular and Black culture all over the globe for its "Wakanda forever" hallmark crossed arms to chest salute. 

It has enthralled and impacted the movie industry across the globe becoming the ninth highest-grossing of all time, the highest-grossing solo superhero film, and the highest-grossing movie by a black director. The movie also features other notable Black actors like Lupita Nyong'o, Micheal B Jordan, Daniel Kaluuya, Forest Whitaker, Leticia Wright, Danai Gurira, and Winston Duke.

Chadwick Boseman succumbed to colon cancer on 28th August 2020 leaving behind a legacy of starring in a number of movies where he played the part of great African-American role models like Thurgood Marshall, the first black supreme court justice of USA, and Jackie Robinson, the first Black athlete to play in Major League Baseball. For a man who sought to inspire black people on the TV screens while battling cancer, Chadwick Boseman was a true hero. After the news of his death, Former US president, Barack Obama tweeted that when he first met the actor during the shooting of Jackie Robinson in 42, he could tell straight away that he was blessed.

But most of us will truly remember him for the movie Black Panther where he brought royalty, authenticity, and character on screen, in a role where he insisted on using the original African accent to depict the king of Wakanda, T’challa. The fantasy movie Black Panther tells a story of an isolated African country of Wakanda rich in the mineral vibranium, with high technological advancements in military, health, infrastructure, and communication systems. 

The African country uses its mineral resources to advance itself and keeps an isolationist stance from the rest of the world, fearing that the discovery of vibranium may loose upon the world war and conflict if it falls in the wrong hands. Whereas the movie is every bit entertaining as it is exciting, Black Panther and the fantasy African country of Wakanda has left a lasting impression. Perhaps Chadwick Boseman's and Marvel’s greatest gift to the continent of Africa. The movie has valuable themes and lessons if one scratches the surface despite Marvel's disclaimer that any similarity to persons and events is unintentional. These are some of the invaluable lessons from the movie that might draw parallels with real-life contemporary Africa and African history;

Self-sufficiency of the African continent: Africa is a continent rich in mineral resources like copper, gold, diamond, cobalt. Vibranium in the movie Black Panther is an allegory to the mineral wealth of the continent. However, whereas in the movie, Wakanda uses its mineral resources to develop itself and make technological advancements, in real-life Africa, the reverse is true. A classic example is the DRC, a country rich in mineral resources and accounts for an estimated 70% of the world's cobalt reserves. The country is torn by endless internal conflicts from rebel groups, its minerals are exploited by world powers and big tech companies like Apple, Google, Tesla. Ironically, Apple is the world's first trillion-dollar company. The movie depicts what African countries like Congo can achieve if they were to utilize their mineral resources for their own development.

Africa's historical sin of abandoning its offspring to the outside world of slavery, the most famous being the Trans Atlantic slave trade. T’challa while visiting his ancestors consults his father T’chaka about a Wakandan man he had come across during the mission to catch Klaue. The Wakandan turns out to be N’jobu's son, the brother to King T'chaka. T’challa remonstrates with his dead father about why he abandoned the young boy to the outside world, perhaps his father's greatest mistake. T'challa vows to correct that mistake by opening up Wakanda to the people of Africa who face injustice in the outside world.

The movie also depicts the division that was apparent in post-independent Africa over conflicting views and ideas – the crevices that gave way to western imperial influence on the African continent. King T’chaka and his brother N'jobu disagree on Wakanda's role in world politics given the immense resources it has like vibranium. As a result, N’jobu collaborates with outsiders to steal vibranium from Wakanda which incurs the king's wrath. This results in N'jobu's death at the hands of King T'chaka leaving N'jobu's son N'jadaka orphaned and abandoned to the outside world. N'jobu's collaboration with an outsider Klaue opens up Wakanda to the threat of outside exploitation and causes internal division when Klaue enables N’jadaka to return to Wakanda to overthrow King T’challa. N'jadaka plans to use vibranium to pursue his agenda of dominating the rest of the world which according to King T'challa is not the Wakandan way and would make the nation similar to the colonizers. Wakanda is on the brink of destruction from the civil war in a conflict between N'jadaka and King T'chala. 

This is an allegoric portrayal of the problems that faced post-independent African countries which stemmed from internal division and led to civil war and coups. The classic example is the conflicts between post-independent African leaders like Patrice Lumumba, the first prime minister of independent day Zaire, now DRC, and Mobutu Sese Seko, the army commander of the national army. Mobutu conspires with CIA and Belgian officials to murder Patrice Lumumba and take over Congo. The same story is seen in Burkina Faso where Blaise Campaore, second in command to Thomas Sankara, the revolutionary father of Burkina Faso, betrays him with the collusion of French authorities to stage a coup and throw Burkina Faso into the hands of imperialists. Although the comparisons might be seen as far fetched and not directly portrayed by the movie Black Panther, they offer parallels between the fantasy world of Wakanda and Africa.

The movie Black Panther offers a storytelling cinematic platform that is very effective in inspiring the young African generation to look at what the ideal world of a self-sufficient Africa can achieve. It also provides lessons of unity and good leadership that has for so long evaded Africa. The movie ends with a message of unity in diversity rather than world domination. Black Panther is Chadwick Boseman’s Wakanda legacy to Africa and the rest of the world.